'The Golden Globes celebrate comedies every year — comedies like 'Burlesque' and 'The Tourist,' ' Andy Samberg points out to MTV News.By Eric Ditzian, with reporting by Josh Horowitz
Will Ferrell arrives at the Comedy Awards on Sunday
Photo: Getty Images
If there were an awards show to celebrate the very best in comedy, you'd probably want Will Ferrell and Adam McKay there on the red carpet riffing about how "The Other Guys" was snubbed at the Oscars and now finally their genius is being recognized.
"I was with Will during the Academy Awards, and he slowly got drunker and said, 'What about my kind?' " you'd want McKay to say.
"I kept saying, 'It has to be nominated! It has to be on there!' " Ferrell would answer.
"And I said, 'Will, we know ahead of time if it's going to be nominated," McKay would respond.
And Ferrell would shoot back, "'No, tonight's going to special! They're going to announce a secret nomination.' "
Here's the funny thing: There is such an awards show — Comedy Central held the first annual Comedy Awards on Saturday night — and that exchange is exactly how Ferrell and McKay began a red-carpet chat with MTV News. And as other celebs joined them on the carpet — Jon Stewart, Tina Fey, Stephen Colbert, Andy Samberg, Tracy Morgan — they picked up on Ferrell and McKay's theme: Does comedy need an awards show, or is laughter all the reward comedians need?
"It's all about winning things!" Andy Richter declared. "That's the reason we all got into this. It's all about trinkets and trophies."
Not so, said Stewart. "I'm not sure anything needs acknowledgement anymore, especially in the show-business arena," the "Daily Show" host told us. "But here's what I think it is: These carpets get no other use, and it would be wasteful not to use them. If you think about it that way, none of this is necessary."
Samberg, meanwhile, deadpanned that before the Comedy Awards, there was one show in particular around to reward the funniest people of the year. "The Golden Globes celebrate comedies every year — comedies like 'Burlesque' and 'The Tourist,' " he said. "And 'Chicago' — another hilarious comedy. So no, we don't need this night."
Monday, March 28, 2011
Peter Bart Responds to 'Don't Look Now' Fracas
Jay A. Fernandez, Merle Ginsberg THR's intrepid rambling reporter Merle Ginsberg reached out to Peter Bart about the conflict with Donald Sutherland this week over the verisimilitude of the sex scene in "Don't Look Now." Bart responded via email.read more
Melissa Howard Melissa Joan Hart Melissa Rycroft Melissa Sagemiller
Photos | Albums That Sold 1 Million Copies In The First Week
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Trina Aims For 'Fun And Energetic' With Diamonds Are Forever
The Miami MC gears up for the summer early with new EP in Mixtape Daily.By Rahman Dukes
Trina
Photo: MTV News
This Week's Main Pick
Queen of Hearts: Trina
Holding It Down For: Miami
Mixtape Album: Diamonds Are Forever
Real Spit: Taking a page out of Kanye West's notebook, Trina still insists that diamonds are a girl's best friend. While fans wait for the Miami starlet to unveil her sixth untitled studio album later this year, the Slip-N-Slide flagship artist is feeding her heavily dedicated fanbase with a 12-track EP of all new original material. A few weeks back, Miss MIA dropped the Rick Ross collabo "Waist So Skinny," providing a glimpse of what was to come on Diamonds. To give her Diamonds Are Forever mixture the official stamp of approval, Trina has partnered with the good folks here at Mixtape Daily for the official mixtape release.
"The concept of the mixtape is just a new direction of music," Trina told us on the phone from the Sunshine State. "It's really fun and energetic, a different drive. I tried different types of music. I worked with a bunch of different artists, different producers, different sounds. I just wanted to do something that was fun and energetic. It's the summer. It's, like, the mini-CD to my new album. And I just wanted to have fun."
Joints to Check For
» "Diamonds Are Forever": On the title track, Trina makes it clear she expects to be treated like nothing less than royalty. After more than a decade in the game and millions of records sold, the female MC shows she hasn't missed a beat.
» "Waist So Skinny," featuring Rick Ross: Trina reunites with the Dade County bawse on the bouncy track reminiscent of their previous work together. "Waist So Skinny" was the initial track to leak off Diamonds featuring the onetime labelmates. "See, I'm a boss bitch/ I stunt first class/ I got insurance/ See, I don't f--- with hoes, because they sideways/ I get this money by myself 99 ways."
For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines.
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Trina
Trina
Photo: MTV News
This Week's Main Pick
Queen of Hearts: Trina
Holding It Down For: Miami
Mixtape Album: Diamonds Are Forever
Real Spit: Taking a page out of Kanye West's notebook, Trina still insists that diamonds are a girl's best friend. While fans wait for the Miami starlet to unveil her sixth untitled studio album later this year, the Slip-N-Slide flagship artist is feeding her heavily dedicated fanbase with a 12-track EP of all new original material. A few weeks back, Miss MIA dropped the Rick Ross collabo "Waist So Skinny," providing a glimpse of what was to come on Diamonds. To give her Diamonds Are Forever mixture the official stamp of approval, Trina has partnered with the good folks here at Mixtape Daily for the official mixtape release.
"The concept of the mixtape is just a new direction of music," Trina told us on the phone from the Sunshine State. "It's really fun and energetic, a different drive. I tried different types of music. I worked with a bunch of different artists, different producers, different sounds. I just wanted to do something that was fun and energetic. It's the summer. It's, like, the mini-CD to my new album. And I just wanted to have fun."
Joints to Check For
» "Diamonds Are Forever": On the title track, Trina makes it clear she expects to be treated like nothing less than royalty. After more than a decade in the game and millions of records sold, the female MC shows she hasn't missed a beat.
» "Waist So Skinny," featuring Rick Ross: Trina reunites with the Dade County bawse on the bouncy track reminiscent of their previous work together. "Waist So Skinny" was the initial track to leak off Diamonds featuring the onetime labelmates. "See, I'm a boss bitch/ I stunt first class/ I got insurance/ See, I don't f--- with hoes, because they sideways/ I get this money by myself 99 ways."
For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines.
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MSNBC Commentator Rachael Maddow Gives Props to Florida Death Metal
When political commentators mention extreme metal on the air it's usually in reference to something tragic like a school shooting, church burning or suicide pact. But when MSNBC liberal correspondent Rachael Maddow invoked the names of Cannibal Corpse, Six Feet Under, Obituary, Death and Deicide it was mostly to take a stab at Republicans, not [...]
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Michael Jackson - The Way You Make Me Feel
The Way You Make Me Feel
Artist: Michael Jackson
Label: Epic
Artist: Michael Jackson
Label: Epic
Michael Jackson - They Don't Care About Us
They Don't Care About Us
Artist: Michael Jackson
Label: MJJ
Director: Spike Lee
Album: HIStory: Past, Present and Future, Book I
Artist: Michael Jackson
Label: MJJ
Director: Spike Lee
Album: HIStory: Past, Present and Future, Book I
Lady Gaga To Direct 'Judas' Video With Laurieann Gibson
During Google fan interview, the pop star also talks about Born This Way cut inspired by the death of her grandfather.By James Dinh
Lady Gaga
Photo: Kevin Mazur/ WireImage
As promised, Lady Gaga joined forces with Google on Tuesday to answer a string of fan-generated questions for an hour-long interview posted on YouTube called "Musicians@Google Presents: Google Goes Gaga."
While the pop star dished on a range of topics, including her upcoming album, Born This Way, and aspiring-singers-turned-viral-YouTube stars (yes, she mentioned Rebecca Black), the most exciting news she shared with her fans was that she'll be directing the video for her next single, "Judas," alongside creative director Laurieann Gibson.
"I'm very excited. Actually, I can exclusively reveal here at Google that I will be making my directorial debut with Laurieann Gibson, directing this video with her ourselves," the singer said to the cheers of the interview's live audience.
Keeping in line with the song's title, Mother Monster also admitted that the clip will include religious imagery. "It's no surprise, I'm sure, to many of you, that Judas is a man of the biblical senses, so expect to see some symbolism in this video," she said.
Gaga also gave fans a taste of the club track's lyrics by offering a few lines from the song. "When he comes to me, I am ready/ I'll wash his feet with my hair if he needs/ Forgive him when his tongue lies through his brain/ Even after three times, he betrays me/ I'll bring him down, a king with no crown," she recited.
Gaga explained that "Judas," which she produced along with RedOne, talks about confronting one's demons. "You have to look into what is haunting you and you need to look into forgiving yourself in order to move on," she said. "And it's really fun to dance to and sounds like it could be a pop priest record."
She also described a track off her "avant-garde techno rock" LP called "Edge of Glory." Recalling the loss of her grandfather last year, Gaga revealed that she wrote the tune at an emotional moment at the piano while taking tequila shots with her father. "The song's about your last moment on Earth, the moment of truth. The edge of glory is that moment right before you leave the Earth," she said.
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Lady Gaga
Photo: Kevin Mazur/ WireImage
As promised, Lady Gaga joined forces with Google on Tuesday to answer a string of fan-generated questions for an hour-long interview posted on YouTube called "Musicians@Google Presents: Google Goes Gaga."
While the pop star dished on a range of topics, including her upcoming album, Born This Way, and aspiring-singers-turned-viral-YouTube stars (yes, she mentioned Rebecca Black), the most exciting news she shared with her fans was that she'll be directing the video for her next single, "Judas," alongside creative director Laurieann Gibson.
"I'm very excited. Actually, I can exclusively reveal here at Google that I will be making my directorial debut with Laurieann Gibson, directing this video with her ourselves," the singer said to the cheers of the interview's live audience.
Keeping in line with the song's title, Mother Monster also admitted that the clip will include religious imagery. "It's no surprise, I'm sure, to many of you, that Judas is a man of the biblical senses, so expect to see some symbolism in this video," she said.
Gaga also gave fans a taste of the club track's lyrics by offering a few lines from the song. "When he comes to me, I am ready/ I'll wash his feet with my hair if he needs/ Forgive him when his tongue lies through his brain/ Even after three times, he betrays me/ I'll bring him down, a king with no crown," she recited.
Gaga explained that "Judas," which she produced along with RedOne, talks about confronting one's demons. "You have to look into what is haunting you and you need to look into forgiving yourself in order to move on," she said. "And it's really fun to dance to and sounds like it could be a pop priest record."
She also described a track off her "avant-garde techno rock" LP called "Edge of Glory." Recalling the loss of her grandfather last year, Gaga revealed that she wrote the tune at an emotional moment at the piano while taking tequila shots with her father. "The song's about your last moment on Earth, the moment of truth. The edge of glory is that moment right before you leave the Earth," she said.
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Dave Grohl, Josh Homme, John Paul Jones Unveil Supergroup
Them Crooked Vultures make their debut with a post-Lollapalooza set.By James Montgomery
Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
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Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
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Sunday, March 27, 2011
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Exclusive: Jessie J Says Getting To Write For Britney Spears Was 'Incredible'
British pop singer reveals to MTV News she wrote a song called 'Being Britney' that didn't make Femme Fatale. By Jocelyn Vena
Jessie J
Photo: MTV News
When fans of Jessie J heard that she'd written a track for Britney Spears, many hoped the British pop songstress would impart some of her "Do It Like a Dude" sassiness on the pop icon.
But as the final track listing for Brit's upcoming Femme Fatale hit the Web, it became clear that Jessie's song hadn't made the cut. When Jessie stopped by MTV News earlier this month, though, she told us she's cool with it.
"I think [it's a] misunderstanding that just because I'm Jessie J, jazz hands, it doesn't mean that I get pumped up to the top-three choice," she explained to us. "It means that I write a song and if it doesn't go on it, it doesn't go on it. She probably had every major songwriter in the world write a song for her."
In fact, the credits for Femme Fatale read like a who's who of producers and songwriters with big names like Dr. Luke, Max Martin, Bonnie McKee and Rodney Jerkins all making the album. To Jessie, even being considered on a level with those guys is a big deal.
"It's just, to even have the opportunity to write a song for her is still incredible," she said. "As a songwriter, I'm still taking baby steps. You have to write 10 songs to get one good one and, realistically, I don't have time to write 10. It was a good song though."
Jessie also revealed the title of the track she had offered to Britney. "I may try and pitch it to someone else, but it was actually called 'Being Britney,' " she said. "So, it's actually hard to pitch it. It was a really cool song, but it is what it is; it happens for a reason. For me, one thing I love about Britney Spears is she is Britney Spears: No one can come and try and steal her path, her lane and that's what I love about her. That's what the song is about, 'I'm the sh--.' "
Do you think Jessie J and Britney should collaborate? Tell us in the comments!
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Jessie J
Photo: MTV News
When fans of Jessie J heard that she'd written a track for Britney Spears, many hoped the British pop songstress would impart some of her "Do It Like a Dude" sassiness on the pop icon.
But as the final track listing for Brit's upcoming Femme Fatale hit the Web, it became clear that Jessie's song hadn't made the cut. When Jessie stopped by MTV News earlier this month, though, she told us she's cool with it.
"I think [it's a] misunderstanding that just because I'm Jessie J, jazz hands, it doesn't mean that I get pumped up to the top-three choice," she explained to us. "It means that I write a song and if it doesn't go on it, it doesn't go on it. She probably had every major songwriter in the world write a song for her."
In fact, the credits for Femme Fatale read like a who's who of producers and songwriters with big names like Dr. Luke, Max Martin, Bonnie McKee and Rodney Jerkins all making the album. To Jessie, even being considered on a level with those guys is a big deal.
"It's just, to even have the opportunity to write a song for her is still incredible," she said. "As a songwriter, I'm still taking baby steps. You have to write 10 songs to get one good one and, realistically, I don't have time to write 10. It was a good song though."
Jessie also revealed the title of the track she had offered to Britney. "I may try and pitch it to someone else, but it was actually called 'Being Britney,' " she said. "So, it's actually hard to pitch it. It was a really cool song, but it is what it is; it happens for a reason. For me, one thing I love about Britney Spears is she is Britney Spears: No one can come and try and steal her path, her lane and that's what I love about her. That's what the song is about, 'I'm the sh--.' "
Do you think Jessie J and Britney should collaborate? Tell us in the comments!
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Photos | Alicia Keys Brings Jay-Z, Beyonce To Her New York Show
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TRAILER: Ryan Phillippe in 'The Bang Bang Club'
Jay A. Fernandez Fledgling distributor Tribeca Film has put out a trailer for Steven Silver's "The Bang Bang Club," a story about photographers capturing the turmoil of apartheid in South Africa in the mid-'90s.read more
'Sucker Punch' Patient Files: Babydoll
Zack Snyder's long-awaited cinematic mind-trip "Sucker Punch" finally hits theaters today. At the center of the story are five women, all of them inmates at the fictional Lennox House for the Mentally Insane. They're also exotic dancers, and ass-kicking warriors as well. The film's most intense action unfolds in a sort of fantasy reality. The [...]
Ben Affleck And Jennifer Garner Grab Coffee Together
As all of you married couples out there know, once kids come along, you have to grab couple time together whenever you can! Ben Affleck and Jennifer Garner were spotted having coffee together yesterday morning.
I hope they make some time to go out and celebrate this evening: Ben's new movie, 'The Town,' is projected to be the #1 movie this weekend! It was expected to come in #2 behind the teen movie 'Easy A,' but unless the teens turn out in force tonight, 'The Town' is expected to win the weekend.
After all his ups and downs, I'm sure Ben is a happy guy today :)
Photos by FAME
I hope they make some time to go out and celebrate this evening: Ben's new movie, 'The Town,' is projected to be the #1 movie this weekend! It was expected to come in #2 behind the teen movie 'Easy A,' but unless the teens turn out in force tonight, 'The Town' is expected to win the weekend.
After all his ups and downs, I'm sure Ben is a happy guy today :)
Photos by FAME
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It Looks Like Britney Spears Will Co-Headline Her Tour With Enrique Iglesias
Yesterday we heard a rumor that Britney Spears would be co-headlining her upcoming Summer tour with another big name act and today we learn not only that the rumor is very likely true but we also learn that her co-headliner will very likely be Enrique Iglesias. A company that makes promo flyers for concert events [...]
Saturday, March 26, 2011
Beyoncé - Halo
Halo
Artist: Beyoncé
Label: Columbia, Music World Music
Director: Philip Andelman
Album: I Am...Sasha Fierce
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Kristen Bell & Dax Shepard Are NOT Married
Earlier this week Kristen Bell posted a message on her official Twitter profile that referred to her fianc�e Dax Shepard as her “husband”, sparking chatter that the couple may have secretly gotten married. But a rep for the couple has clarified that Kristen and Dax did NOT get married … at least not yet. Actress [...]
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'Sucker Punch' Secrets Revealed!
MTV News spoke with filmmaker Zack Snyder and the cast about the making of the fantastical battle movie.By Kara Warner
Emily Browning in "Sucker Punch"
Photo: Warner Bros.
At long last, Zack Snyder's mysterious, "Alice in Wonderland With Machine Guns" film "Sucker Punch" has arrived in theaters. MTV News has been on the case since its humble beginnings, bringing you all the news, videos, scoops and interviews ... in a nutshell, everything you need to know.
To celebrate the film's opening day, we present a few more fun facts about the film that we learned directly from the film's director/writer Zack Snyder and the cast.
1. Snyder's original plan for the movie was to build it around a big musical number.
"I had this idea that it'd be cool if we used the musical number for the spine of the movie or the spine of the action sequence," Snyder told MTV News. "And then getting in and out of it would be like, the music would start and that would draw us in. That would be the sort of mechanism for the fantasy to begin, and when the music ended, that would be the mechanism for it ending. And that was sort of how it started."
2. Inspiration for the look of the film came from the adult fantasy magazine Heavy Metal.
"I still read it, actually," Snyder said. "It's got little short stories in it and they're illustrated. And so it's like a comic strip that has more sex and violence than you would get from a normal comic book," Snyder said, adding that he started reading the magazine in his youth. "I think it influenced this movie in a pretty big way."
3. For the high-action "train sequence," Snyder used hundreds of shots to look like one, which took seven days to shoot.
"[The train sequence] is a sequence that's broken up into maybe 120 shots that look like one shot," Snyder explained. "So you just kind of have to know where the cameras are going and knowing where it came from, and put these little camera moves in and all these shifts that have to happen. ... You shoot one angle and then you shoot the other angle and then it's going to be stitched with the CG section. So you have to know what you're capable of," he said. "How far you can push the CG stitch so it doesn't break the shot. There's a whole bunch of things like that."
4. Everyone in the cast is wearing a ton of makeup.
Even for Oscar Isaac, who plays creepy institution overlord Blue Jones and has the privilege of being one of the only men in the cast, the makeup process was extensive.
"I remember they would spray-tan me and then put an extra coat of shine on it," he recalled. "Then blush and then tons of eyeliner. My hair was basically glued tight to my head."
But compared to what the ladies endured, Isaac's process wasn't that bad. Carla Gugino told us the filmmakers wanted the makeup to make a statement, and that she spent at least two hours in the makeup chair every morning.
"We definitely had so much fun," Gugino said. "Rosalina [Da Silva] designed the look of the film makeup-wise. And we did 'Watchmen' together as well," she explained. "She's amazing. But there was a point when she said, 'Carla, guess how many sets of lashes you have on your eyes?' and I was like, 'Including my real ones?' and she was like, 'Yes.' And we realized that it was four."
5. Snyder had to cut back on the violence in the movie, particularly a few scenes that involve implied or attempted rape.
"Those [scenes] of course got trimmed away," he said. "It's really delicate because even that subject matter, you have the harder version that is sometimes better because it actually makes the point a little bit more directly. The PG-13 version was difficult for me," he revealed. "I would say that the very things that they didn't like were the very things that you needed to see in order for you to understand the content of the scene. You know, to know how to feel about it, because otherwise you're sort of left in this weird middle ground," he said. "So it's difficult. It's tricky."
Snyder went on to explain why the sexual violence and lobotomy images were necessary to include in the film, juxtaposed with the idea of women not being victims and being able to defend themselves.
"For me it was all about having incredible threat in that world. Like, what is the most dangerous thing? What is the worst possible thing, and to me being lobotomized and then raped is probably the worst possible thing," he explained. "I like the idea that the verdict or the ... like if someone were to make a sacrifice, and you have two alternatives and one is just go back to jail. OK. You know, I get that. And one is you know, be lobotomized and then possibly raped for the rest of your zombified life. You know, you really need to think about that. You're giving up a lot, I guess, is my point."
Check out everything we've got on "Sucker Punch."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Photo: Warner Bros.
At long last, Zack Snyder's mysterious, "Alice in Wonderland With Machine Guns" film "Sucker Punch" has arrived in theaters. MTV News has been on the case since its humble beginnings, bringing you all the news, videos, scoops and interviews ... in a nutshell, everything you need to know.
To celebrate the film's opening day, we present a few more fun facts about the film that we learned directly from the film's director/writer Zack Snyder and the cast.
1. Snyder's original plan for the movie was to build it around a big musical number.
"I had this idea that it'd be cool if we used the musical number for the spine of the movie or the spine of the action sequence," Snyder told MTV News. "And then getting in and out of it would be like, the music would start and that would draw us in. That would be the sort of mechanism for the fantasy to begin, and when the music ended, that would be the mechanism for it ending. And that was sort of how it started."
2. Inspiration for the look of the film came from the adult fantasy magazine Heavy Metal.
"I still read it, actually," Snyder said. "It's got little short stories in it and they're illustrated. And so it's like a comic strip that has more sex and violence than you would get from a normal comic book," Snyder said, adding that he started reading the magazine in his youth. "I think it influenced this movie in a pretty big way."
3. For the high-action "train sequence," Snyder used hundreds of shots to look like one, which took seven days to shoot.
"[The train sequence] is a sequence that's broken up into maybe 120 shots that look like one shot," Snyder explained. "So you just kind of have to know where the cameras are going and knowing where it came from, and put these little camera moves in and all these shifts that have to happen. ... You shoot one angle and then you shoot the other angle and then it's going to be stitched with the CG section. So you have to know what you're capable of," he said. "How far you can push the CG stitch so it doesn't break the shot. There's a whole bunch of things like that."
4. Everyone in the cast is wearing a ton of makeup.
Even for Oscar Isaac, who plays creepy institution overlord Blue Jones and has the privilege of being one of the only men in the cast, the makeup process was extensive.
"I remember they would spray-tan me and then put an extra coat of shine on it," he recalled. "Then blush and then tons of eyeliner. My hair was basically glued tight to my head."
But compared to what the ladies endured, Isaac's process wasn't that bad. Carla Gugino told us the filmmakers wanted the makeup to make a statement, and that she spent at least two hours in the makeup chair every morning.
"We definitely had so much fun," Gugino said. "Rosalina [Da Silva] designed the look of the film makeup-wise. And we did 'Watchmen' together as well," she explained. "She's amazing. But there was a point when she said, 'Carla, guess how many sets of lashes you have on your eyes?' and I was like, 'Including my real ones?' and she was like, 'Yes.' And we realized that it was four."
5. Snyder had to cut back on the violence in the movie, particularly a few scenes that involve implied or attempted rape.
"Those [scenes] of course got trimmed away," he said. "It's really delicate because even that subject matter, you have the harder version that is sometimes better because it actually makes the point a little bit more directly. The PG-13 version was difficult for me," he revealed. "I would say that the very things that they didn't like were the very things that you needed to see in order for you to understand the content of the scene. You know, to know how to feel about it, because otherwise you're sort of left in this weird middle ground," he said. "So it's difficult. It's tricky."
Snyder went on to explain why the sexual violence and lobotomy images were necessary to include in the film, juxtaposed with the idea of women not being victims and being able to defend themselves.
"For me it was all about having incredible threat in that world. Like, what is the most dangerous thing? What is the worst possible thing, and to me being lobotomized and then raped is probably the worst possible thing," he explained. "I like the idea that the verdict or the ... like if someone were to make a sacrifice, and you have two alternatives and one is just go back to jail. OK. You know, I get that. And one is you know, be lobotomized and then possibly raped for the rest of your zombified life. You know, you really need to think about that. You're giving up a lot, I guess, is my point."
Check out everything we've got on "Sucker Punch."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Related Videos
MTV Rough Cut: 'Sucker Punch'
'Sucker Punch' Clips
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'Sucker Punch' Premiere In Los Angeles
"Sucker Punch"
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Ronnie James Dio Dead at 67
Today, the heavy metal world lost a true legend. Ronnie James Dio, who most recently fronted the Black Sabbath-without-Ozzy band Heaven & Hell, lost his battle with stomach cancer at 7:45 a.m. PST. He was 67.
?My heart is broken,? said his wife and manager, Wendy Dio in a statement. ?Many, many friends and family were [...]
?My heart is broken,? said his wife and manager, Wendy Dio in a statement. ?Many, many friends and family were [...]
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Friday, March 25, 2011
'Sucker Punch' Secrets Revealed!
MTV News spoke with filmmaker Zack Snyder and the cast about the making of the fantastical battle movie.By Kara Warner
Emily Browning in "Sucker Punch"
Photo: Warner Bros.
At long last, Zack Snyder's mysterious, "Alice in Wonderland With Machine Guns" film "Sucker Punch" has arrived in theaters. MTV News has been on the case since its humble beginnings, bringing you all the news, videos, scoops and interviews ... in a nutshell, everything you need to know.
To celebrate the film's opening day, we present a few more fun facts about the film that we learned directly from the film's director/writer Zack Snyder and the cast.
1. Snyder's original plan for the movie was to build it around a big musical number.
"I had this idea that it'd be cool if we used the musical number for the spine of the movie or the spine of the action sequence," Snyder told MTV News. "And then getting in and out of it would be like, the music would start and that would draw us in. That would be the sort of mechanism for the fantasy to begin, and when the music ended, that would be the mechanism for it ending. And that was sort of how it started."
2. Inspiration for the look of the film came from the adult fantasy magazine Heavy Metal.
"I still read it, actually," Snyder said. "It's got little short stories in it and they're illustrated. And so it's like a comic strip that has more sex and violence than you would get from a normal comic book," Snyder said, adding that he started reading the magazine in his youth. "I think it influenced this movie in a pretty big way."
3. For the high-action "train sequence," Snyder used hundreds of shots to look like one, which took seven days to shoot.
"[The train sequence] is a sequence that's broken up into maybe 120 shots that look like one shot," Snyder explained. "So you just kind of have to know where the cameras are going and knowing where it came from, and put these little camera moves in and all these shifts that have to happen. ... You shoot one angle and then you shoot the other angle and then it's going to be stitched with the CG section. So you have to know what you're capable of," he said. "How far you can push the CG stitch so it doesn't break the shot. There's a whole bunch of things like that."
4. Everyone in the cast is wearing a ton of makeup.
Even for Oscar Isaac, who plays creepy institution overlord Blue Jones and has the privilege of being one of the only men in the cast, the makeup process was extensive.
"I remember they would spray-tan me and then put an extra coat of shine on it," he recalled. "Then blush and then tons of eyeliner. My hair was basically glued tight to my head."
But compared to what the ladies endured, Isaac's process wasn't that bad. Carla Gugino told us the filmmakers wanted the makeup to make a statement, and that she spent at least two hours in the makeup chair every morning.
"We definitely had so much fun," Gugino said. "Rosalina [Da Silva] designed the look of the film makeup-wise. And we did 'Watchmen' together as well," she explained. "She's amazing. But there was a point when she said, 'Carla, guess how many sets of lashes you have on your eyes?' and I was like, 'Including my real ones?' and she was like, 'Yes.' And we realized that it was four."
5. Snyder had to cut back on the violence in the movie, particularly a few scenes that involve implied or attempted rape.
"Those [scenes] of course got trimmed away," he said. "It's really delicate because even that subject matter, you have the harder version that is sometimes better because it actually makes the point a little bit more directly. The PG-13 version was difficult for me," he revealed. "I would say that the very things that they didn't like were the very things that you needed to see in order for you to understand the content of the scene. You know, to know how to feel about it, because otherwise you're sort of left in this weird middle ground," he said. "So it's difficult. It's tricky."
Snyder went on to explain why the sexual violence and lobotomy images were necessary to include in the film, juxtaposed with the idea of women not being victims and being able to defend themselves.
"For me it was all about having incredible threat in that world. Like, what is the most dangerous thing? What is the worst possible thing, and to me being lobotomized and then raped is probably the worst possible thing," he explained. "I like the idea that the verdict or the ... like if someone were to make a sacrifice, and you have two alternatives and one is just go back to jail. OK. You know, I get that. And one is you know, be lobotomized and then possibly raped for the rest of your zombified life. You know, you really need to think about that. You're giving up a lot, I guess, is my point."
Check out everything we've got on "Sucker Punch."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Related Videos
MTV Rough Cut: 'Sucker Punch'
'Sucker Punch' Clips
Related Photos
'Sucker Punch' Premiere In Los Angeles
"Sucker Punch"
Emily Browning in "Sucker Punch"
Photo: Warner Bros.
At long last, Zack Snyder's mysterious, "Alice in Wonderland With Machine Guns" film "Sucker Punch" has arrived in theaters. MTV News has been on the case since its humble beginnings, bringing you all the news, videos, scoops and interviews ... in a nutshell, everything you need to know.
To celebrate the film's opening day, we present a few more fun facts about the film that we learned directly from the film's director/writer Zack Snyder and the cast.
1. Snyder's original plan for the movie was to build it around a big musical number.
"I had this idea that it'd be cool if we used the musical number for the spine of the movie or the spine of the action sequence," Snyder told MTV News. "And then getting in and out of it would be like, the music would start and that would draw us in. That would be the sort of mechanism for the fantasy to begin, and when the music ended, that would be the mechanism for it ending. And that was sort of how it started."
2. Inspiration for the look of the film came from the adult fantasy magazine Heavy Metal.
"I still read it, actually," Snyder said. "It's got little short stories in it and they're illustrated. And so it's like a comic strip that has more sex and violence than you would get from a normal comic book," Snyder said, adding that he started reading the magazine in his youth. "I think it influenced this movie in a pretty big way."
3. For the high-action "train sequence," Snyder used hundreds of shots to look like one, which took seven days to shoot.
"[The train sequence] is a sequence that's broken up into maybe 120 shots that look like one shot," Snyder explained. "So you just kind of have to know where the cameras are going and knowing where it came from, and put these little camera moves in and all these shifts that have to happen. ... You shoot one angle and then you shoot the other angle and then it's going to be stitched with the CG section. So you have to know what you're capable of," he said. "How far you can push the CG stitch so it doesn't break the shot. There's a whole bunch of things like that."
4. Everyone in the cast is wearing a ton of makeup.
Even for Oscar Isaac, who plays creepy institution overlord Blue Jones and has the privilege of being one of the only men in the cast, the makeup process was extensive.
"I remember they would spray-tan me and then put an extra coat of shine on it," he recalled. "Then blush and then tons of eyeliner. My hair was basically glued tight to my head."
But compared to what the ladies endured, Isaac's process wasn't that bad. Carla Gugino told us the filmmakers wanted the makeup to make a statement, and that she spent at least two hours in the makeup chair every morning.
"We definitely had so much fun," Gugino said. "Rosalina [Da Silva] designed the look of the film makeup-wise. And we did 'Watchmen' together as well," she explained. "She's amazing. But there was a point when she said, 'Carla, guess how many sets of lashes you have on your eyes?' and I was like, 'Including my real ones?' and she was like, 'Yes.' And we realized that it was four."
5. Snyder had to cut back on the violence in the movie, particularly a few scenes that involve implied or attempted rape.
"Those [scenes] of course got trimmed away," he said. "It's really delicate because even that subject matter, you have the harder version that is sometimes better because it actually makes the point a little bit more directly. The PG-13 version was difficult for me," he revealed. "I would say that the very things that they didn't like were the very things that you needed to see in order for you to understand the content of the scene. You know, to know how to feel about it, because otherwise you're sort of left in this weird middle ground," he said. "So it's difficult. It's tricky."
Snyder went on to explain why the sexual violence and lobotomy images were necessary to include in the film, juxtaposed with the idea of women not being victims and being able to defend themselves.
"For me it was all about having incredible threat in that world. Like, what is the most dangerous thing? What is the worst possible thing, and to me being lobotomized and then raped is probably the worst possible thing," he explained. "I like the idea that the verdict or the ... like if someone were to make a sacrifice, and you have two alternatives and one is just go back to jail. OK. You know, I get that. And one is you know, be lobotomized and then possibly raped for the rest of your zombified life. You know, you really need to think about that. You're giving up a lot, I guess, is my point."
Check out everything we've got on "Sucker Punch."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Related Videos
MTV Rough Cut: 'Sucker Punch'
'Sucker Punch' Clips
Related Photos
'Sucker Punch' Premiere In Los Angeles
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'Hunger Games' Experts Weigh In: Who Should Play Peeta?
Josh Hutcherson, Alex Pettyfer and Hunter Parrish appear to be the front-runners, but nothing is confirmed yet.By Christina Garibaldi
Alex Pettyfer
Photo: Getty Images
Last week, MTV News exclusively revealed that Oscar-nominated actress Jennifer Lawrence landed the highly coveted role of Katniss Everdeen in the film adaptation of "The Hunger Games." Experts and fans were mixed on the thought of the tall, blond 20-year-old taking on the role of the 16-year-old, dark-haired heroine, but it seems like Jennifer can rest easy for now, since the debate has shifted to who will play fellow Hunger Games competitor Peeta.
"It's definitely going to be someone close to her age," Down With the Capitol administrator Theresa Morgan told MTV News. "I think it will make it easier to cast someone for Peeta."
Many names have already been thrown into the mix, including "The Kids Are All Right" star Josh Hutcherson, who confessed he has met with director Gary Ross. "I love Peeta," Hutcherson told Entertainment Weekly. "The character is so much who I am — self-deprecating, a people person. And he'd be such a great character to play!"
Hutcherson seems to be a front-runner for the District 12 male tribute, but he will have some stiff competition from Alex Pettyfer and fan favorite Hunter Parrish.
"We love Josh Hutcherson," the Hob administrator Megan Scott said. "There's Alex, who I really like, but Hunter is a huge fan favorite. When I think of these guys with Jennifer, they all go well together."
"Our whole site thinks Hunter will be perfect," Morgan said. "He looks the role and acts the role. A lot of people are thinking he sounds like Peeta."
Ross might agree, since Parrish recently told E! Online he has met with the movie's producers. "I'd be grateful to get the opportunity," he said. "Like, really grateful. It would be amazing."
Not everyone's convinced that these leading contenders are right for the coveted "Hunger Games" role.
"My favorite for Peeta is Callan McAuliffe," Mockingjay.net administrator Kimmy West said about the "I Am Number Four" newcomer. "I think he has the acting chops, he's relatively unknown, and he has that warm quality that Peeta has."
Who do you think should get the role of Peeta in "The Hunger Games"? Tell us in the comments below!
Check out everything we've got on "Hunger Games."
For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.
Related Photos
Meet Katniss From 'Hunger Games': Jennifer Lawrence
Alex Pettyfer
Photo: Getty Images
Last week, MTV News exclusively revealed that Oscar-nominated actress Jennifer Lawrence landed the highly coveted role of Katniss Everdeen in the film adaptation of "The Hunger Games." Experts and fans were mixed on the thought of the tall, blond 20-year-old taking on the role of the 16-year-old, dark-haired heroine, but it seems like Jennifer can rest easy for now, since the debate has shifted to who will play fellow Hunger Games competitor Peeta.
"It's definitely going to be someone close to her age," Down With the Capitol administrator Theresa Morgan told MTV News. "I think it will make it easier to cast someone for Peeta."
Many names have already been thrown into the mix, including "The Kids Are All Right" star Josh Hutcherson, who confessed he has met with director Gary Ross. "I love Peeta," Hutcherson told Entertainment Weekly. "The character is so much who I am — self-deprecating, a people person. And he'd be such a great character to play!"
Hutcherson seems to be a front-runner for the District 12 male tribute, but he will have some stiff competition from Alex Pettyfer and fan favorite Hunter Parrish.
"We love Josh Hutcherson," the Hob administrator Megan Scott said. "There's Alex, who I really like, but Hunter is a huge fan favorite. When I think of these guys with Jennifer, they all go well together."
"Our whole site thinks Hunter will be perfect," Morgan said. "He looks the role and acts the role. A lot of people are thinking he sounds like Peeta."
Ross might agree, since Parrish recently told E! Online he has met with the movie's producers. "I'd be grateful to get the opportunity," he said. "Like, really grateful. It would be amazing."
Not everyone's convinced that these leading contenders are right for the coveted "Hunger Games" role.
"My favorite for Peeta is Callan McAuliffe," Mockingjay.net administrator Kimmy West said about the "I Am Number Four" newcomer. "I think he has the acting chops, he's relatively unknown, and he has that warm quality that Peeta has."
Who do you think should get the role of Peeta in "The Hunger Games"? Tell us in the comments below!
Check out everything we've got on "Hunger Games."
For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.
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Britney Spears, Madonna Get Dual Out Magazine Covers
The pop icons are featured as part of mag's 'Ladies We Love' April issue.By James Dinh
Britney Spears
Photo: Eric Charbonneau/ Le Studio/ Wireimage
Britney Spears and Madonna have reunited again, at least on the cover of Out magazine. Pop music's crème de la crème will share the April cover of the popular gay magazine's first-ever "Ladies We Love" issue, marking the publication's first dual-cover release.
While Spears teamed up with photographer Ruven Afanador for her shoot, Madonna's photo spread dates back to the entertainer's early career, with previously unseen shots by photographer Richard Corman from 1982. In a post on Out.com, the folks at the mag said that they wanted to shine light on female icons popular among the gay community, writing, "We're dedicating our entire April issue to the women who inspire, scandalize, educate, and excite us — in a different way than they excite the other boys."
The "Ladies We Love" issue hits newsstands on March 29, the same day as Spears' Femme Fatale hits stores. However, Out is giving fans an early look at their feature with the pop princess by posting the full Spears interview and photo shoot on their website on Wednesday at 11 a.m.
News of Britney's Out magazine spread comes days after the "Hold It Against Me" singer's feature in V magazine made its way to the Internet. In the issue, Spears opens up about the musical direction of Femme Fatale.
"I like music that makes you move and connects with your soul. I like to feel inspired right away when I listen to new music," she says. "I always have songs being sent to me from new artists and producers from all over the world, which is really cool. From there I just follow my heart."
Will you be picking up Out magazine's Britney/Madonna issue? Tell us in the comments below!
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Photo: Eric Charbonneau/ Le Studio/ Wireimage
Britney Spears and Madonna have reunited again, at least on the cover of Out magazine. Pop music's crème de la crème will share the April cover of the popular gay magazine's first-ever "Ladies We Love" issue, marking the publication's first dual-cover release.
While Spears teamed up with photographer Ruven Afanador for her shoot, Madonna's photo spread dates back to the entertainer's early career, with previously unseen shots by photographer Richard Corman from 1982. In a post on Out.com, the folks at the mag said that they wanted to shine light on female icons popular among the gay community, writing, "We're dedicating our entire April issue to the women who inspire, scandalize, educate, and excite us — in a different way than they excite the other boys."
The "Ladies We Love" issue hits newsstands on March 29, the same day as Spears' Femme Fatale hits stores. However, Out is giving fans an early look at their feature with the pop princess by posting the full Spears interview and photo shoot on their website on Wednesday at 11 a.m.
News of Britney's Out magazine spread comes days after the "Hold It Against Me" singer's feature in V magazine made its way to the Internet. In the issue, Spears opens up about the musical direction of Femme Fatale.
"I like music that makes you move and connects with your soul. I like to feel inspired right away when I listen to new music," she says. "I always have songs being sent to me from new artists and producers from all over the world, which is really cool. From there I just follow my heart."
Will you be picking up Out magazine's Britney/Madonna issue? Tell us in the comments below!
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Adam Lambert's 'Whole Lotta Love': The Story Behind The Cover
Glam rocker tackled the legendary 1970 Led Zeppelin song for 'American Idol' rock night.By Gil Kaufman
Adam Lambert performs "Whole Lotta Love" on "American Idol" on Tuesday
Photo: R. Mickshaw/Getty Images/ Fox
Imagine a freight train speeding toward you at midnight. Or a rockslide barreling down a hill as you try to outrace it. That's the feeling of the ominous, chugging Jimmy Page riff that kicks off Led Zeppelin's 1970 Stonehenge of rock, "Whole Lotta Love." And that's before singer Robert Plant leans into one of the nastiest, ecstatic rock screams this side of the Who's "Won't Get Fooled Again."
That's the song Adam Lambert chose to sing on "American Idol" rock night Tuesday (May 5), and, needless to say, it was a challenge that the eyeliner-loving Los Angeles stage veteran was more than up for, hitting a series of high notes and rock screams that would have made Plant proud. It was a risky maneuver that paid off for Lambert, who chose a tune that came in at #75 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time" in 2004.
The legendary British rock act recorded the tribute to Chicago blues icon Willie Dixon during their second U.S. tour after working it out in their live show, including it on their 1969 classic album Led Zeppelin II. Like many of the songs Zeppelin performed early in their career, "Love" was a blues standard turned on its head with a heavy dose of crunching psychedelic guitar and thundering drums, courtesy of late drummer John Bonham. The song was based on a 1962 tune by another blues forefather, Muddy Waters, called "You Need Love," which was penned by Dixon.
For Zeppelin's version, Plant customized the lyrics by adding some lyrical quotes from a few other songs Dixon wrote for Howlin' Wolf, "Back Door Man" and "Shake For Me," nailing the tricky vocal in a single take. It was also inspired by 1966's "You Need Loving" from the British rock group the Small Faces, for whom Zeppelin had great affection, but they also did not credit Dixon for his part in writing the original lyrics. The song became Zeppelin's first U.S. single and their only U.S. top 10 hit. Though their manager would not let them release singles in the U.K. because he thought it cannibalized album sales, the song was finally released as the band's only British single in 1997.
Dixon sued Zeppelin over the song in 1985, claiming it borrowed too heavily from his "You Need Love," and Zeppelin reached an agreement with him, with Dixon using the money he received to set up a program that provided musical instruments for schools. A cornerstone of heavy rock, the tune -- which was the theme song for the long-running British countdown show "Top of the Pops" in the 1970s and '80s -- has been covered by dozens of artists over the years, from Tina Turner and Ben Harper to Prince, Slash, Leona Lewis, Train's Pat Monahan, the London Symphony Orchestra and Jane's Addiction.
Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.
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Adam Lambert performs "Whole Lotta Love" on "American Idol" on Tuesday
Photo: R. Mickshaw/Getty Images/ Fox
Imagine a freight train speeding toward you at midnight. Or a rockslide barreling down a hill as you try to outrace it. That's the feeling of the ominous, chugging Jimmy Page riff that kicks off Led Zeppelin's 1970 Stonehenge of rock, "Whole Lotta Love." And that's before singer Robert Plant leans into one of the nastiest, ecstatic rock screams this side of the Who's "Won't Get Fooled Again."
That's the song Adam Lambert chose to sing on "American Idol" rock night Tuesday (May 5), and, needless to say, it was a challenge that the eyeliner-loving Los Angeles stage veteran was more than up for, hitting a series of high notes and rock screams that would have made Plant proud. It was a risky maneuver that paid off for Lambert, who chose a tune that came in at #75 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time" in 2004.
The legendary British rock act recorded the tribute to Chicago blues icon Willie Dixon during their second U.S. tour after working it out in their live show, including it on their 1969 classic album Led Zeppelin II. Like many of the songs Zeppelin performed early in their career, "Love" was a blues standard turned on its head with a heavy dose of crunching psychedelic guitar and thundering drums, courtesy of late drummer John Bonham. The song was based on a 1962 tune by another blues forefather, Muddy Waters, called "You Need Love," which was penned by Dixon.
For Zeppelin's version, Plant customized the lyrics by adding some lyrical quotes from a few other songs Dixon wrote for Howlin' Wolf, "Back Door Man" and "Shake For Me," nailing the tricky vocal in a single take. It was also inspired by 1966's "You Need Loving" from the British rock group the Small Faces, for whom Zeppelin had great affection, but they also did not credit Dixon for his part in writing the original lyrics. The song became Zeppelin's first U.S. single and their only U.S. top 10 hit. Though their manager would not let them release singles in the U.K. because he thought it cannibalized album sales, the song was finally released as the band's only British single in 1997.
Dixon sued Zeppelin over the song in 1985, claiming it borrowed too heavily from his "You Need Love," and Zeppelin reached an agreement with him, with Dixon using the money he received to set up a program that provided musical instruments for schools. A cornerstone of heavy rock, the tune -- which was the theme song for the long-running British countdown show "Top of the Pops" in the 1970s and '80s -- has been covered by dozens of artists over the years, from Tina Turner and Ben Harper to Prince, Slash, Leona Lewis, Train's Pat Monahan, the London Symphony Orchestra and Jane's Addiction.
Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.
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Tales from the South Stand: Hardcore Hong Kong Sevens fans fess up
Submit to iReport: Going to the Sevens this year? Send us your outrageous stories, photos and videos from the Hong Kong Sevens 2011 weekend and it may be posted on CNNGo. Submit your stories through iReport.
Ahead of the Hong Kong Sevens on March 25-27, three hardcore fans confess their misdeeds committed over years of attending Asia's most social sporting event, and explain just why they remain so dedicated.No prizes for guessing why they all insisted on remaining anonymous.read more
Ahead of the Hong Kong Sevens on March 25-27, three hardcore fans confess their misdeeds committed over years of attending Asia's most social sporting event, and explain just why they remain so dedicated.No prizes for guessing why they all insisted on remaining anonymous.read more
Emma Stone Emma Watson Emmanuelle Chriqui Emmanuelle Vaugier
Photos | Jay-Z, Beyonce, Bieber And More Nominated For 2010 BET Awards
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David Cook
Michael Jackson Doctor Conrad Murray's Trial To Be Televised
Judge rules that camera will be allowed in the courtroom for manslaughter case.By Gil Kaufman
Conrad Murray
Photo: AFP/ Getty Images
For what promises to be one of the most bizarre and riveting legal proceedings in years, a Los Angeles judge ruled on Monday that a television camera will be allowed in the courtroom when Michael Jackson's doctor goes on trial for involuntary manslaughter.
Reuters reported that Los Angeles Superior Court Judge Michael Pastor, approved the presence of a camera in the trial of Dr. Conrad Murray as long as it does not interfere with the proceedings in the closely watched case.
The judge asked for the "absolute least-intrusive placement" of a TV camera in the courtroom, but blocked cameras from documenting jury selection.
Pastor also announced that he would bump up the opening date of the trail by four days to March 24, at which point jury selection will begin. Murray, who faces up to four years in prison if convicted, has pleaded not guilty to the charges, and the trial is expected to last around six weeks.
Cardiologist Murray was hired to be Jackson's personal physician in the run-up to the King of Pop's planned 50-date comeback series of shows at London's O2 arena in the summer of 2009. The doctor told police that he provided Jackson, 50, with sedatives and the surgical anesthetic propofol in order to combat the singer's chronic insomnia. He said he did so on the morning of June 25, 2009, when Jackson died of what a coroner deemed acute propofol poisoning.
TMZ reported on Tuesday (February 8) that Murray's lawyers plan to argue that Jackson was already in weak health before he died and that it's unfair to blame propofol for his passing. Unnamed sources close to the case told the gossip site that at the time of his death, Jackson's body was already failing him in part because concert promoter AEG Live had "driven [him] over the edge" with a rigorous rehearsal schedule for the shows.
Murray's lawyers reportedly plan to call witnesses to say that Jackson was not showing up for rehearsals and when he did he showed "clear signs" of frail health. They also reportedly plan to argue that it was Jackson who administered the final, fatal dose of propofol to himself while Murray was out of the room.
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Conrad Murray
Photo: AFP/ Getty Images
For what promises to be one of the most bizarre and riveting legal proceedings in years, a Los Angeles judge ruled on Monday that a television camera will be allowed in the courtroom when Michael Jackson's doctor goes on trial for involuntary manslaughter.
Reuters reported that Los Angeles Superior Court Judge Michael Pastor, approved the presence of a camera in the trial of Dr. Conrad Murray as long as it does not interfere with the proceedings in the closely watched case.
The judge asked for the "absolute least-intrusive placement" of a TV camera in the courtroom, but blocked cameras from documenting jury selection.
Pastor also announced that he would bump up the opening date of the trail by four days to March 24, at which point jury selection will begin. Murray, who faces up to four years in prison if convicted, has pleaded not guilty to the charges, and the trial is expected to last around six weeks.
Cardiologist Murray was hired to be Jackson's personal physician in the run-up to the King of Pop's planned 50-date comeback series of shows at London's O2 arena in the summer of 2009. The doctor told police that he provided Jackson, 50, with sedatives and the surgical anesthetic propofol in order to combat the singer's chronic insomnia. He said he did so on the morning of June 25, 2009, when Jackson died of what a coroner deemed acute propofol poisoning.
TMZ reported on Tuesday (February 8) that Murray's lawyers plan to argue that Jackson was already in weak health before he died and that it's unfair to blame propofol for his passing. Unnamed sources close to the case told the gossip site that at the time of his death, Jackson's body was already failing him in part because concert promoter AEG Live had "driven [him] over the edge" with a rigorous rehearsal schedule for the shows.
Murray's lawyers reportedly plan to call witnesses to say that Jackson was not showing up for rehearsals and when he did he showed "clear signs" of frail health. They also reportedly plan to argue that it was Jackson who administered the final, fatal dose of propofol to himself while Murray was out of the room.
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Thursday, March 24, 2011
Photos | Britney Gets Angelic In These Femme Fatale Promo Shots
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Saying Goodbye To 'Harry Potter': Rupert Grint On What He'll Miss
If you've been following our "Harry Potter" coverage over the past few months, you might have noticed our sadness over the franchise's looming conclusion. And we're not the only ones who are bummed out.
There's no doubt that this series is a big part of a lot of peoples' lives, from we the fans to those [...]
There's no doubt that this series is a big part of a lot of peoples' lives, from we the fans to those [...]
No hay más Led Zeppelin
A pesar de lo dicho ayer, Peter Mensch, manager del guitarrista Jimmy Page, se retractó totalmente en eso que la banda buscaría un reemplazo al ultragenial Robert Plant para seguir rockeando y toureándola por el mundo tras su show de 2007 en el O2 Arena de Londres por el poder de la música más sexual de la historia. No habrá más Led Zeppelin, no hay planes de que lo haya.
Mensch comentó: "Led Zeppelin se acabó. Si no los vieron en el 2007, se los perdieron. Probaron reemplazantes a Robert Plant, pero nada funcionó. Se acabó. No hay planes para continuar. Francamente, ojalá todos dejaran de hablar al respecto."
Los fans no están nada contentos, especialmente los británicos, considerando los precios delirantes de las entradas del show reunión.
¿Y a ti? ¿Qué te parece todo esto?
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Mensch comentó: "Led Zeppelin se acabó. Si no los vieron en el 2007, se los perdieron. Probaron reemplazantes a Robert Plant, pero nada funcionó. Se acabó. No hay planes para continuar. Francamente, ojalá todos dejaran de hablar al respecto."
Los fans no están nada contentos, especialmente los británicos, considerando los precios delirantes de las entradas del show reunión.
¿Y a ti? ¿Qué te parece todo esto?
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Photos | Alicia Keys Brings Jay-Z, Beyonce To Her New York Show
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Beyoncé - Ego (Remix)
Ego (Remix)
Artist: Beyoncé
Label: Columbia, Music World Music
Director: Beyonce, Frank Gatson
Artist: Beyoncé
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Director: Beyonce, Frank Gatson
Rebecca Gayheart Is Out With Baby Billie
I think this is the first time I've seen Billie! Adorable! Don't you want to pinch those cheeks? Rebecca Gayheart was spotted out with the baby yesterday afternoon. They went to a private residence.
Can you make out Billie's personalized booties (click through the pictures below for a better look)? Too cute :) It looks like Rebecca is focused on being a full-time mom while Eric Dane is still busy with 'Grey's Anatomy.' As you other stay-at-home moms know, getting out is so important!
I hope they had a good time :)
Photos by FAME
Can you make out Billie's personalized booties (click through the pictures below for a better look)? Too cute :) It looks like Rebecca is focused on being a full-time mom while Eric Dane is still busy with 'Grey's Anatomy.' As you other stay-at-home moms know, getting out is so important!
I hope they had a good time :)
Photos by FAME
Justin Bieber, Rihanna, Nicki Minaj Tapped For Japan Aid Compilation LP
U2 and Bon Jovi will also be featured on digital-only album from Universal Music.By James Dinh
Justin Bieber
Photo: George Pimentel/ WireImage
Some of pop music's biggest artists, including Justin Bieber, Rihanna and Nicki Minaj, are lending their tunes for a good cause. On Monday (March 21), it was announced that Universal Music is rushing out a digital-only compilation album to raise awareness and funds for those affected by the 9.0-magnitude earthquake and tsunami that struck Japan.
While the lineup and track list have yet to be finalized, other chart-toppers expected to be featured on the release include U2 and Bon Jovi. Lady Gaga may also appear on the album. Proceeds from sales will go to the Japanese Red Cross.
"We are doing it only digitally because it is faster, and this will be a worldwide release. The plan is to have it available later this week," a spokesperson for Universal Music said.
In order to maximize proceeds, the record label plans to find more acts willing to waive royalties that would have come from having their tracks appear on the compilation.
Universal Music is not the only music-industry player reaching to support Japan disaster relief. Most recently, the Black Eyed Peas announced that the music video for their tune "Just Can't Get Enough" would be used to promote awareness and funds for victims of the tragic event. The clip, which was shot in Japan one week before the earthquake and tsunami hit, finds the BEP bandmates traveling throughout Toyko.
Earlier this month, Lady Gaga designed a special prayer bracelet with all proceeds going to relief efforts. In just two days, the pop singer and her legion of little monsters raised more than $250,000.
For more information on what you can do to help with earthquake and tsunami relief efforts in Japan head to MTV Act, or text REDCROSS to 90999 to make a $10 donation.
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Photo: George Pimentel/ WireImage
Some of pop music's biggest artists, including Justin Bieber, Rihanna and Nicki Minaj, are lending their tunes for a good cause. On Monday (March 21), it was announced that Universal Music is rushing out a digital-only compilation album to raise awareness and funds for those affected by the 9.0-magnitude earthquake and tsunami that struck Japan.
While the lineup and track list have yet to be finalized, other chart-toppers expected to be featured on the release include U2 and Bon Jovi. Lady Gaga may also appear on the album. Proceeds from sales will go to the Japanese Red Cross.
"We are doing it only digitally because it is faster, and this will be a worldwide release. The plan is to have it available later this week," a spokesperson for Universal Music said.
In order to maximize proceeds, the record label plans to find more acts willing to waive royalties that would have come from having their tracks appear on the compilation.
Universal Music is not the only music-industry player reaching to support Japan disaster relief. Most recently, the Black Eyed Peas announced that the music video for their tune "Just Can't Get Enough" would be used to promote awareness and funds for victims of the tragic event. The clip, which was shot in Japan one week before the earthquake and tsunami hit, finds the BEP bandmates traveling throughout Toyko.
Earlier this month, Lady Gaga designed a special prayer bracelet with all proceeds going to relief efforts. In just two days, the pop singer and her legion of little monsters raised more than $250,000.
For more information on what you can do to help with earthquake and tsunami relief efforts in Japan head to MTV Act, or text REDCROSS to 90999 to make a $10 donation.
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Usher 'Got A Good Laugh' From Fan Kicking Him In The Face
'It looked worse than it actually was,' the 'OMG' singer laughs about accidental blow during concert serenade.By Mawuse Ziegbe
Usher
Photo: Jordan Strauss/ Getty Images
Usher's club-rattling jam "OMG" may "kill it every night" according to tourmate Miguel, but when the Atlanta crooner hit Madison Square Garden earlier this week, he was almost taken out by a clumsy fan.
When the singer touched down in New York on Monday, he indulged a super amped fan's fantasy by pulling her onstage for an intimate flirty serenade of "Trading Places." As Usher and the concertgoer got cozy on a recliner, she swiveled around to face the crooner — knocking him squarely in his mug with her foot. She began apologizing profusely as Usher briefly paused to collect himself. But the superstar took the strike in stride, quipping, "We play rough in the bed. We kick each other in the face and all type of good stuff."
Although Usher brushed off the blow, the moment did make an impression on him.
"In all my years, this is one of the most interesting experiences. I got a kick out of it!" he told Us Weekly. The singer assured fans that the knock wasn't that bad. "It looked worse than it actually was. My audience and I got a good laugh."
As for the fan, the "DJ Got Us Fallin' In Love" star maintained everything is all good on that front too. "Wherever you are baby, don't feel bad," Usher said. "No hard feelings."
As Miguel has noted, Usher isn't one dwell on drama, whether it's cranking out another hit album or weathering an unexpected hit from a fan.
"He's such a tremendous example of perseverance and determination," Miguel recently told MTV News. "I was there throughout this album, so I've seen the adversity that he's had to overcome perception-wise."
What do you think of Usher's response to getting knocked in the head by a fan? Tell us in the comments!
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Usher
Photo: Jordan Strauss/ Getty Images
Usher's club-rattling jam "OMG" may "kill it every night" according to tourmate Miguel, but when the Atlanta crooner hit Madison Square Garden earlier this week, he was almost taken out by a clumsy fan.
When the singer touched down in New York on Monday, he indulged a super amped fan's fantasy by pulling her onstage for an intimate flirty serenade of "Trading Places." As Usher and the concertgoer got cozy on a recliner, she swiveled around to face the crooner — knocking him squarely in his mug with her foot. She began apologizing profusely as Usher briefly paused to collect himself. But the superstar took the strike in stride, quipping, "We play rough in the bed. We kick each other in the face and all type of good stuff."
Although Usher brushed off the blow, the moment did make an impression on him.
"In all my years, this is one of the most interesting experiences. I got a kick out of it!" he told Us Weekly. The singer assured fans that the knock wasn't that bad. "It looked worse than it actually was. My audience and I got a good laugh."
As for the fan, the "DJ Got Us Fallin' In Love" star maintained everything is all good on that front too. "Wherever you are baby, don't feel bad," Usher said. "No hard feelings."
As Miguel has noted, Usher isn't one dwell on drama, whether it's cranking out another hit album or weathering an unexpected hit from a fan.
"He's such a tremendous example of perseverance and determination," Miguel recently told MTV News. "I was there throughout this album, so I've seen the adversity that he's had to overcome perception-wise."
What do you think of Usher's response to getting knocked in the head by a fan? Tell us in the comments!
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Elizabeth Taylor, Legendary Actress, Dead At 79
Oscar winner was one of the screen's great beauties and object of tabloid fascination.By Gil Kaufman
Elizabeth Taylor in 1957
Photo: Hulton Archive/ Getty Images
One of Hollywood's most legendary beauties, Elizabeth Taylor, died on Wednesday (March 23) at the age of 79 after spending two months in a Los Angeles hospital for treatment of congestive heart failure. One of the brightest stars in the history of the American movie business, Taylor starred in a string of hit movies in the 1950s and 60s, including "Giant," "Cat on a Hot Tin Roof" and "Cleopatra," while becoming an international sex symbol and object of tabloid fascination for her string of love affairs with leading men.
Photos from the life and career of Elizabeth Taylor.
In addition to being a fashion icon, perfume mogul and movie legend, later in life Taylor also became one of the leading advocates for victims of AIDS, raising millions for research and treatment of the disease in the wake of the 1985 death of her good friend the actor Rock Hudson, who died from the illness.
According to reports, Taylor died in the early morning on Wednesday surrounded by her four children — Michael Wilding, Christopher Wilding, Liza Todd and Maria Burton — at Cedars-Sinai Medical Center in Los Angeles.
"My mother was an extraordinary woman who lived life to the fullest with great passion, humor and love," said Michael Wilding in a statement read on "Good Morning America." "Though her loss is devastating to those of us who held her so close and so dear, we will always be inspired by her enduring contributions to our world."
Born Elizabeth Rosemond Taylor in London, England, on February 27, 1932, to American parents, Taylor left England with her family on the eve of World War II and relocated to Los Angeles. Already turning heads for her beauty, Taylor took a screen test as a child and was cast in her first film at age 10, 1942's "There's One Born Every Minute."
She followed with movies such as "Lassie Come Home," "Jane Eyre" and 1944's hit film "National Velvet." She continued working steadily throughout the late 1940s and '50s, becoming known as one of the world's great beauties thanks to her piercing violet-colored eyes and alluring come-hither gaze.
Playing opposite James Dean in 1956's "Giant," Taylor emerged as a star in her own right, and she was nominated for an Academy Award for her role in 1957's "Raintree County." She was nominated again the next year for "Cat on a Hot Tin Roof," losing again, but earned yet another nomination in 1959 for "Suddenly, Last Summer."
After three straight losses, Taylor finally got her award in 1960 for her peerless performance in "Butterfield 8," in which she played Gloria Wandrous, a call girl who gets entangled with a married man.
One of her most famous films was the 1963 epic "Cleopatra," one of the most expensive movies of all time when it was filmed. She met her future husband Richard Burton on the set and the two began a torrid affair that scandalized Hollywood because both she and Burton were married to other people. Burton would later become her fifth (and sixth) husband after the couple divorced in 1974 after 10 years of marriage and then remarried in 1975 only to divorce again the next year.
She won a second Oscar in 1966 for her role in "Who's Afraid of Virginia Woolf?" That would mark the last of her major big-screen roles. Although she continued to sporadically make movie and TV appearances in the 1970s and '80s, Taylor would never again reach such a pinnacle of fame.
The actress, who married eight times in total and became a confidante of late singer Michael Jackson, supporting him during his child molestation cases in the late 1990s and early 2000s, suffered a brain tumor in 1997 and would continue to battle a variety of ailments throughout the next decade and a half.
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Elizabeth Taylor in 1957
Photo: Hulton Archive/ Getty Images
One of Hollywood's most legendary beauties, Elizabeth Taylor, died on Wednesday (March 23) at the age of 79 after spending two months in a Los Angeles hospital for treatment of congestive heart failure. One of the brightest stars in the history of the American movie business, Taylor starred in a string of hit movies in the 1950s and 60s, including "Giant," "Cat on a Hot Tin Roof" and "Cleopatra," while becoming an international sex symbol and object of tabloid fascination for her string of love affairs with leading men.
Photos from the life and career of Elizabeth Taylor.
In addition to being a fashion icon, perfume mogul and movie legend, later in life Taylor also became one of the leading advocates for victims of AIDS, raising millions for research and treatment of the disease in the wake of the 1985 death of her good friend the actor Rock Hudson, who died from the illness.
According to reports, Taylor died in the early morning on Wednesday surrounded by her four children — Michael Wilding, Christopher Wilding, Liza Todd and Maria Burton — at Cedars-Sinai Medical Center in Los Angeles.
"My mother was an extraordinary woman who lived life to the fullest with great passion, humor and love," said Michael Wilding in a statement read on "Good Morning America." "Though her loss is devastating to those of us who held her so close and so dear, we will always be inspired by her enduring contributions to our world."
Born Elizabeth Rosemond Taylor in London, England, on February 27, 1932, to American parents, Taylor left England with her family on the eve of World War II and relocated to Los Angeles. Already turning heads for her beauty, Taylor took a screen test as a child and was cast in her first film at age 10, 1942's "There's One Born Every Minute."
She followed with movies such as "Lassie Come Home," "Jane Eyre" and 1944's hit film "National Velvet." She continued working steadily throughout the late 1940s and '50s, becoming known as one of the world's great beauties thanks to her piercing violet-colored eyes and alluring come-hither gaze.
Playing opposite James Dean in 1956's "Giant," Taylor emerged as a star in her own right, and she was nominated for an Academy Award for her role in 1957's "Raintree County." She was nominated again the next year for "Cat on a Hot Tin Roof," losing again, but earned yet another nomination in 1959 for "Suddenly, Last Summer."
After three straight losses, Taylor finally got her award in 1960 for her peerless performance in "Butterfield 8," in which she played Gloria Wandrous, a call girl who gets entangled with a married man.
One of her most famous films was the 1963 epic "Cleopatra," one of the most expensive movies of all time when it was filmed. She met her future husband Richard Burton on the set and the two began a torrid affair that scandalized Hollywood because both she and Burton were married to other people. Burton would later become her fifth (and sixth) husband after the couple divorced in 1974 after 10 years of marriage and then remarried in 1975 only to divorce again the next year.
She won a second Oscar in 1966 for her role in "Who's Afraid of Virginia Woolf?" That would mark the last of her major big-screen roles. Although she continued to sporadically make movie and TV appearances in the 1970s and '80s, Taylor would never again reach such a pinnacle of fame.
The actress, who married eight times in total and became a confidante of late singer Michael Jackson, supporting him during his child molestation cases in the late 1990s and early 2000s, suffered a brain tumor in 1997 and would continue to battle a variety of ailments throughout the next decade and a half.
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Wednesday, March 23, 2011
Selena Gomez Says Justin Bieber 'Understands' Her
'He's been in my life for so long,' Gomez said on 'Late Show With David Letterman.'By Jocelyn Vena
Selena Gomez on the "Late Show With David Letterman" Wednesday night
Photo: CBS
When Selena Gomez stopped by "Late Show" to chat about her latest single, "Who Says," David Letterman couldn't resist bringing up Justin Bieber's name. And while she wasn't too forthcoming with details, she did give some insight into why she cares so much for her boyfriend.
"Oh, that's cute," she said when showed a picture of the teens at the Vanity Fair Oscar party last month. "It was like a little prom night, wasn't it? Looked like it."
Letterman then wondered how long she and Bieber have known one another. She said, "Almost, like, two years now." Letterman pressed further, asking how they met. "Actually, his manager called my mom, who's my manager," she explained, before Letterman joked, "I heard he was your paperboy."
"I'm blushing!" she said.
"Are you dating or not dating?" Letterman asked again, and Selena danced around the answer. "He's been in my life for so long, and it's just nice to have someone that understands what you're going through."
"This is not my first rodeo, you can talk to me about these things," Letterman quipped as she laughed. Then he promised not to go any further in his Bieber-related questioning.
Both stars have been as quiet as possible about the true nature of their relationship, though they have been spotted out on dates together. Earlier this month, Gomez was by Bieber's side as he celebrated his 17th birthday. And while on tour abroad, Bieber tweeted a message to her, noting how much he missed her.
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Selena Gomez on the "Late Show With David Letterman" Wednesday night
Photo: CBS
When Selena Gomez stopped by "Late Show" to chat about her latest single, "Who Says," David Letterman couldn't resist bringing up Justin Bieber's name. And while she wasn't too forthcoming with details, she did give some insight into why she cares so much for her boyfriend.
"Oh, that's cute," she said when showed a picture of the teens at the Vanity Fair Oscar party last month. "It was like a little prom night, wasn't it? Looked like it."
Letterman then wondered how long she and Bieber have known one another. She said, "Almost, like, two years now." Letterman pressed further, asking how they met. "Actually, his manager called my mom, who's my manager," she explained, before Letterman joked, "I heard he was your paperboy."
"I'm blushing!" she said.
"Are you dating or not dating?" Letterman asked again, and Selena danced around the answer. "He's been in my life for so long, and it's just nice to have someone that understands what you're going through."
"This is not my first rodeo, you can talk to me about these things," Letterman quipped as she laughed. Then he promised not to go any further in his Bieber-related questioning.
Both stars have been as quiet as possible about the true nature of their relationship, though they have been spotted out on dates together. Earlier this month, Gomez was by Bieber's side as he celebrated his 17th birthday. And while on tour abroad, Bieber tweeted a message to her, noting how much he missed her.
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'American Idol' Motown Preview: Will Casey Abrams Bounce Back?
Naima Adedapo and Haley Reinhart hope to avoid a return trip to the bottom three this week.By Eric Ditzian
Casey Abrams performs on 'American Idol'
Photo: Fox
There was a time when a Motown-themed evening was an "American Idol" institution. Kelly Clarkson delivered such a dizzying take on Marvin Gaye and Tammi Terrell's "You're All I Need to Get By" in season one that a bewildered Simon Cowell tried on a Southern accent and told her, "As they say in Texas, y'all did a great job!" Ruben Studdard soared with the Four Tops the next year, and then Fantasia, also trying on a Gaye tune, wowed the judges on her way to the title.
Future seasons would ditch Motown as a whole for specific artists like Stevie Wonder and Diana Ross, but there remains a vast trove of "Idol" history for singers to mine as both cautionary tales and I-hope-I-can-sound-so-damn-good aspirations. And as the Motown theme returns Wednesday night (March 23) for the first time since season eight, contestants would be wise to consult those reality-show history books before taking the stage.
Folks who aren't exactly R&B- and soul-inclined, like James Durbin, should note that there are ample risks when it comes to reinventing these classic songs. Just ask Scott MacIntyre, whose honky-tonk rendition of the Supremes' "You Can't Hurry Love" had Cowell referencing the song's lyrics: "How much more can I take?" Other, more thematically conversant season 10 crooners — Jacob Lusk, we're looking in your direction — might find salvation in Motown.
Or not. Anything can happen when the show goes live. Here's what we'll be looking for from each singer.
Casey Abrams
We're not sure if we should blame a hospital visit or simply a misguided arrangement, but Abrams' middle-school-garage-band take on Nirvana's "Smells Like Teen Spirit" was a rare misfire for the guy. We hope he's healthy, ditches heavy instrumentation and concentrates on busting out those soulful growls of his. Though we've criticized him in the past for predictable performances — low-key intros, wild-eyed conclusions — this week we want Abrams to stay within his comfort zone. Bring on those wacky body contortions and that groovy groaning, bro!
Haley Reinhart
With two straight appearances in the bottom three, Haley's lucky to have survived this far; she'll have to pull off a stunner this week to avoid a trip back to that ignominious territory. But she might be in luck because Motown week will give Haley a chance to embrace her bluesy DNA. It remains to be seen, however, if she'll embrace that strength or continue her weekly trend of trying on — and then quickly discarding — different artistic identities.
Jacob Lusk
Restraint should be Jacob's mantra this week, one he repeats over and over before taking the stage. The last few weeks, it's seemed like he's been trying to disgorge an epic, cancel-the-show-because-this-kid's-a-winner performance, and the result has been frightening to watch and difficult to hear. Whatever he goes with — perhaps taking a page from Studdard with some Stevie Wonder or Four Tops — Jacob has got to rein himself and sing with the passion (not the agony) that first made him a contestant to watch.
James Durbin
Durbin need not worry that Motown tunes won't be kind to his vocal abilities. Adam Lambert switched up the Miracles' "Tracks of My Tears" in 2009 and even had Smokey Robinson applauding. The 22-year-old just needs to realize he's not at his best when rockin' hard and that ramping down his manic energy — not to mention his squealing — is his best recipe for "Idol" success.
Lauren Alaina
Props to Lauren for bouncing back from her first down week with a savvy cover of Melissa Etheridge's "I'm the Only One." One of her biggest assets — above and beyond a killer instrument and the worshipful attention of "Idol" producers — is an ability to pick the right tune. So we're not concerned about Lauren's song choice. What we'll be keeping an ear out for is how successfully she melds her pop-country-rock stylings with Motown music.
Naima Adedapo
Before she began to second-guess herself — Rihanna one week, Tina Turner the next — we would have imagined Motown week to be an opportunity for Naima to shine. Now we fear she's too artistically confused to go with her creative gut. So instead of giving us something slow and jazzy and unique, we fear Naima might try to reach for something — the Supremes, perhaps — that she doesn't have the chops to pull off.
Paul McDonald
Paul zoomed to the upper echelon of the competition in the show's top 24 phase, but after two lackluster performances, we're wondering if he actually belongs even in the top half of the remaining 11 singers. We hope Paul shows us our second-guessing is unfounded this week. Anything by Marvin Gaye could be the perfect vehicle to do just that.
Pia Toscano
Pia finally inched, however reluctantly, away from ballad territory last week with a little vigorous Whitney Houston action. Now we'd like to see her bust out fully. And that doesn't mean she has to sacrifice showing off her powerful vocals. The Supremes would be an excellent choice for her, unlike Naima — something familiar and upbeat, like "You Can't Hurry Love."
Scotty McCreery
Motown night presents Scotty with his most interesting challenge to date. Will he impose a mainstream country vibe on a Marvin Gaye tune? Will he take this opportunity to show us another side — or at least the hint of one? How amazing would it be to hear him present a deeply soulful yet still country-strong take on the Miracles or the Temptations?
Stefano Langone
With Paul stumbling and Casey coming off a subpar performance, Stefano has a chance to capitalize on his best-in-class showing last week and show he's a true contender. This smooth-voiced 22-year-old stumbled earlier in the season with Stevie Wonder, but we're inclined to blame the cheesy arrangement more than anything else. He actually managed to channel Stevie's voice quite well. But he's been there, done that — so Stevie is off limits. No matter the cover he chooses, Stefano's goal should be to avoid a hammy, distracting arrangement and let those vocals ring.
Thia Megia
The 16-year-old Disney princess has got nowhere to go but up after last week. We'd tell her to avoid a ballad. We'd ask her kindly to start acting her age, rather than like a crusty lounge act, but even when she picked a Disney tune, it sounded like something from an era before the existence of music television. So, in the end, we'll just say this: Go out there and have fun, because this might be the last week you get the chance.
Don't miss "Idol Party Live" every Thursday on MTV.com, following the "American Idol" results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.
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Casey Abrams performs on 'American Idol'
Photo: Fox
There was a time when a Motown-themed evening was an "American Idol" institution. Kelly Clarkson delivered such a dizzying take on Marvin Gaye and Tammi Terrell's "You're All I Need to Get By" in season one that a bewildered Simon Cowell tried on a Southern accent and told her, "As they say in Texas, y'all did a great job!" Ruben Studdard soared with the Four Tops the next year, and then Fantasia, also trying on a Gaye tune, wowed the judges on her way to the title.
Future seasons would ditch Motown as a whole for specific artists like Stevie Wonder and Diana Ross, but there remains a vast trove of "Idol" history for singers to mine as both cautionary tales and I-hope-I-can-sound-so-damn-good aspirations. And as the Motown theme returns Wednesday night (March 23) for the first time since season eight, contestants would be wise to consult those reality-show history books before taking the stage.
Folks who aren't exactly R&B- and soul-inclined, like James Durbin, should note that there are ample risks when it comes to reinventing these classic songs. Just ask Scott MacIntyre, whose honky-tonk rendition of the Supremes' "You Can't Hurry Love" had Cowell referencing the song's lyrics: "How much more can I take?" Other, more thematically conversant season 10 crooners — Jacob Lusk, we're looking in your direction — might find salvation in Motown.
Or not. Anything can happen when the show goes live. Here's what we'll be looking for from each singer.
Casey Abrams
We're not sure if we should blame a hospital visit or simply a misguided arrangement, but Abrams' middle-school-garage-band take on Nirvana's "Smells Like Teen Spirit" was a rare misfire for the guy. We hope he's healthy, ditches heavy instrumentation and concentrates on busting out those soulful growls of his. Though we've criticized him in the past for predictable performances — low-key intros, wild-eyed conclusions — this week we want Abrams to stay within his comfort zone. Bring on those wacky body contortions and that groovy groaning, bro!
Haley Reinhart
With two straight appearances in the bottom three, Haley's lucky to have survived this far; she'll have to pull off a stunner this week to avoid a trip back to that ignominious territory. But she might be in luck because Motown week will give Haley a chance to embrace her bluesy DNA. It remains to be seen, however, if she'll embrace that strength or continue her weekly trend of trying on — and then quickly discarding — different artistic identities.
Jacob Lusk
Restraint should be Jacob's mantra this week, one he repeats over and over before taking the stage. The last few weeks, it's seemed like he's been trying to disgorge an epic, cancel-the-show-because-this-kid's-a-winner performance, and the result has been frightening to watch and difficult to hear. Whatever he goes with — perhaps taking a page from Studdard with some Stevie Wonder or Four Tops — Jacob has got to rein himself and sing with the passion (not the agony) that first made him a contestant to watch.
James Durbin
Durbin need not worry that Motown tunes won't be kind to his vocal abilities. Adam Lambert switched up the Miracles' "Tracks of My Tears" in 2009 and even had Smokey Robinson applauding. The 22-year-old just needs to realize he's not at his best when rockin' hard and that ramping down his manic energy — not to mention his squealing — is his best recipe for "Idol" success.
Lauren Alaina
Props to Lauren for bouncing back from her first down week with a savvy cover of Melissa Etheridge's "I'm the Only One." One of her biggest assets — above and beyond a killer instrument and the worshipful attention of "Idol" producers — is an ability to pick the right tune. So we're not concerned about Lauren's song choice. What we'll be keeping an ear out for is how successfully she melds her pop-country-rock stylings with Motown music.
Naima Adedapo
Before she began to second-guess herself — Rihanna one week, Tina Turner the next — we would have imagined Motown week to be an opportunity for Naima to shine. Now we fear she's too artistically confused to go with her creative gut. So instead of giving us something slow and jazzy and unique, we fear Naima might try to reach for something — the Supremes, perhaps — that she doesn't have the chops to pull off.
Paul McDonald
Paul zoomed to the upper echelon of the competition in the show's top 24 phase, but after two lackluster performances, we're wondering if he actually belongs even in the top half of the remaining 11 singers. We hope Paul shows us our second-guessing is unfounded this week. Anything by Marvin Gaye could be the perfect vehicle to do just that.
Pia Toscano
Pia finally inched, however reluctantly, away from ballad territory last week with a little vigorous Whitney Houston action. Now we'd like to see her bust out fully. And that doesn't mean she has to sacrifice showing off her powerful vocals. The Supremes would be an excellent choice for her, unlike Naima — something familiar and upbeat, like "You Can't Hurry Love."
Scotty McCreery
Motown night presents Scotty with his most interesting challenge to date. Will he impose a mainstream country vibe on a Marvin Gaye tune? Will he take this opportunity to show us another side — or at least the hint of one? How amazing would it be to hear him present a deeply soulful yet still country-strong take on the Miracles or the Temptations?
Stefano Langone
With Paul stumbling and Casey coming off a subpar performance, Stefano has a chance to capitalize on his best-in-class showing last week and show he's a true contender. This smooth-voiced 22-year-old stumbled earlier in the season with Stevie Wonder, but we're inclined to blame the cheesy arrangement more than anything else. He actually managed to channel Stevie's voice quite well. But he's been there, done that — so Stevie is off limits. No matter the cover he chooses, Stefano's goal should be to avoid a hammy, distracting arrangement and let those vocals ring.
Thia Megia
The 16-year-old Disney princess has got nowhere to go but up after last week. We'd tell her to avoid a ballad. We'd ask her kindly to start acting her age, rather than like a crusty lounge act, but even when she picked a Disney tune, it sounded like something from an era before the existence of music television. So, in the end, we'll just say this: Go out there and have fun, because this might be the last week you get the chance.
Don't miss "Idol Party Live" every Thursday on MTV.com, following the "American Idol" results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.
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Michael Jackson's 'Thriller': Story Behind The 'Glee' Cover
MJ classic is mashed up with the Yeah Yeah Yeahs' 'Heads Will Roll' for post-Super Bowl episode.By Aly Semigran
"Glee"
Photo: FOX
Madonna, the Beatles, the Rolling Stones and now, finally, Michael Jackson. The cast of "Glee" has covered plenty of icons during their first two seasons, but it's taken 33 episodes to get around to the King of Pop.
With a huge catalog of Jackson songs, the singing, dancing students of McKinley High paid homage to the late singer with one of his biggest staples (and, arguably, the greatest music video of all time) with their take on "Thriller."
The groundbreaking single from Jackson's best-selling album of the same name was mashed up with the Yeah Yeah Yeahs' "Heads Will Roll" for the post-Super Bowl episode (titled "The Sue Sylvester Bowl Shuffle"), featuring a zombie-fied "Glee" cast.
Bound to become a smash all over again (though with its nonstop rotation at Halloween parties and wedding receptions until the end of time, it's never truly gone away), here's a brief history of the dance/pop classic.
Released on January 23, 1984, "Thriller" was the seventh, and final, single to be released from Jackson's smash record. According to the RIAA, the album (released by Epic Records) has gone gold 29 times, narrowly edging out the Eagles' Greatest Hits 1971-1975 for the title of best-selling album of all time.
In 2009, MTV News estimated that the Thriller album was poised to go triple diamond, meaning 30 million records sold in the U.S. alone.
After Thriller's other singles (including "Billie Jean," "Beat It" and "Wanna Be Startin' Something") dominated the charts, it was time for the spooky, undeniably original track to take over. The song "Thriller" also appeared on many of Jackson's other albums, including the compilations HIStory and Number Ones.
Clocking in at a little under six minutes (though the radio edit was closer to four-and-a-half), the song features pop-music mainstays like synthesizers but shakes things up with its spooky sound effects, including creaking floors, howling and thunder.
The song was produced by Quincy Jones and written and composed by Rod Tempterton and spent 14 weeks on the Billboard Hot 100, peaking at #4.
But it's the music video for "Thriller" that truly made it the phenomenon it was in the '80s and continues to be today. Less a music video than a mini-motion picture, the video (over 13 minutes long and directed by John Landis) won three MTV Video Music Awards and has been named the best music video of all time by many outlets, including VH1 for the special "VH1: 100 Greatest Videos."
The chiller features Jackson in that iconic red leather jacket on a date with his girlfriend (played by Ola Ray) before things go terribly awry. After all, as Jackson (whose disclaimer at the start of the video reads, "This film in no way endorses a belief in the occult") sings in the opening line, "It's close to midnight and something evil's lurking in the dark." Cue werewolves, zombies, Vincent Price's soliloquy and one of the most memorable dance sequences ever.
The video was (no pun intended) a monster hit. As the Los Angeles Times notes, "At the height of the song's popularity, MTV would run the 14-minute 'Thriller' video twice an hour."
Choreographed by Jackson and Michael Peters (who, as the LA Times also reported, appears in the video as one of the zombies) and with makeup by Oscar-winner Rick Baker (also an undead "Thriller" extra) was made with a huge budget of an estimated $500,000.
Still, the efforts paid off. Landis (who told the "Today" show back in 2009 that no one wanted to give them the funds to make the risky vid) made the accompanying 45-minute documentary about the venture, called "The Making of Thriller." Featuring the behind-the-scenes wizardry, as well as the music video in full, it would go on to move more than 10 million copies.
Since then, the signature song and video have seen their share fair of tributes in movies (notably in the 2004 comedy"13 Going on 30") and TV ("South Park," "Family Guy," "30 Rock," among others), not to mention the countless flash mobs that have gone viral. (Remember the prisoners in the Philippines who became overnight phenomenons on YouTube?)
Even with the "Glee" number, this likely won't be the last incarnation of "Thriller." Billboard reported in October that a "Thriller" film is in the works. With a plot allegedly revolving around Price's narration, Kenny Ortega, who directed Jackson's last effort, "This Is It," will reportedly helm the project.
Since Jackson's untimely passing on June 25, 2009, the song and video's legacy continue to live on. In the week following Jackson's death, "Thriller" was the best-selling track in the U.S., with sales of 167,000 copies on the Billboard Hot Digital Singles chart.
Then, in December 2009, "Thriller" was the first music video to ever be inducted into the National Film Registry by the Library of Congress. It seems "no mere mortal can resist ... the thriller" after all.
What did you think of the "Thriller" mash-up on "Glee"? Let us know in the comments!
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Michael Jackson
"Glee"
Photo: FOX
Madonna, the Beatles, the Rolling Stones and now, finally, Michael Jackson. The cast of "Glee" has covered plenty of icons during their first two seasons, but it's taken 33 episodes to get around to the King of Pop.
With a huge catalog of Jackson songs, the singing, dancing students of McKinley High paid homage to the late singer with one of his biggest staples (and, arguably, the greatest music video of all time) with their take on "Thriller."
The groundbreaking single from Jackson's best-selling album of the same name was mashed up with the Yeah Yeah Yeahs' "Heads Will Roll" for the post-Super Bowl episode (titled "The Sue Sylvester Bowl Shuffle"), featuring a zombie-fied "Glee" cast.
Bound to become a smash all over again (though with its nonstop rotation at Halloween parties and wedding receptions until the end of time, it's never truly gone away), here's a brief history of the dance/pop classic.
Released on January 23, 1984, "Thriller" was the seventh, and final, single to be released from Jackson's smash record. According to the RIAA, the album (released by Epic Records) has gone gold 29 times, narrowly edging out the Eagles' Greatest Hits 1971-1975 for the title of best-selling album of all time.
In 2009, MTV News estimated that the Thriller album was poised to go triple diamond, meaning 30 million records sold in the U.S. alone.
After Thriller's other singles (including "Billie Jean," "Beat It" and "Wanna Be Startin' Something") dominated the charts, it was time for the spooky, undeniably original track to take over. The song "Thriller" also appeared on many of Jackson's other albums, including the compilations HIStory and Number Ones.
Clocking in at a little under six minutes (though the radio edit was closer to four-and-a-half), the song features pop-music mainstays like synthesizers but shakes things up with its spooky sound effects, including creaking floors, howling and thunder.
The song was produced by Quincy Jones and written and composed by Rod Tempterton and spent 14 weeks on the Billboard Hot 100, peaking at #4.
But it's the music video for "Thriller" that truly made it the phenomenon it was in the '80s and continues to be today. Less a music video than a mini-motion picture, the video (over 13 minutes long and directed by John Landis) won three MTV Video Music Awards and has been named the best music video of all time by many outlets, including VH1 for the special "VH1: 100 Greatest Videos."
The chiller features Jackson in that iconic red leather jacket on a date with his girlfriend (played by Ola Ray) before things go terribly awry. After all, as Jackson (whose disclaimer at the start of the video reads, "This film in no way endorses a belief in the occult") sings in the opening line, "It's close to midnight and something evil's lurking in the dark." Cue werewolves, zombies, Vincent Price's soliloquy and one of the most memorable dance sequences ever.
The video was (no pun intended) a monster hit. As the Los Angeles Times notes, "At the height of the song's popularity, MTV would run the 14-minute 'Thriller' video twice an hour."
Choreographed by Jackson and Michael Peters (who, as the LA Times also reported, appears in the video as one of the zombies) and with makeup by Oscar-winner Rick Baker (also an undead "Thriller" extra) was made with a huge budget of an estimated $500,000.
Still, the efforts paid off. Landis (who told the "Today" show back in 2009 that no one wanted to give them the funds to make the risky vid) made the accompanying 45-minute documentary about the venture, called "The Making of Thriller." Featuring the behind-the-scenes wizardry, as well as the music video in full, it would go on to move more than 10 million copies.
Since then, the signature song and video have seen their share fair of tributes in movies (notably in the 2004 comedy"13 Going on 30") and TV ("South Park," "Family Guy," "30 Rock," among others), not to mention the countless flash mobs that have gone viral. (Remember the prisoners in the Philippines who became overnight phenomenons on YouTube?)
Even with the "Glee" number, this likely won't be the last incarnation of "Thriller." Billboard reported in October that a "Thriller" film is in the works. With a plot allegedly revolving around Price's narration, Kenny Ortega, who directed Jackson's last effort, "This Is It," will reportedly helm the project.
Since Jackson's untimely passing on June 25, 2009, the song and video's legacy continue to live on. In the week following Jackson's death, "Thriller" was the best-selling track in the U.S., with sales of 167,000 copies on the Billboard Hot Digital Singles chart.
Then, in December 2009, "Thriller" was the first music video to ever be inducted into the National Film Registry by the Library of Congress. It seems "no mere mortal can resist ... the thriller" after all.
What did you think of the "Thriller" mash-up on "Glee"? Let us know in the comments!
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Lady Gaga, Linkin Park Urge Fans To Help Japan Earthquake Victims
Park's Mike Shinoda has designed T-shirts to benefit the relief effort.By Gil Kaufman
Lady Gaga
Photo: Ian Gavan/ Getty Images
As the situation in Japan continues to deteriorate in the wake of Friday's massive 8.9 magnitude earthquake, the need for assistance has spurred a number of stars to reach out to fans to enlist their help.
Just days after announcing the initial dates of his first tour, the My Violent Torpedo/ Defeat Is Not an Option Show, troubled actor Charlie Sheen announced that he will be donating $1 from each ticket sold to the Red Cross Japanese Earthquake Relief Fund.
Linkin Park's Mike Shinoda has also gotten into the game quickly, designing T-shirts to benefit his band's Music for Relief charity. One shirt features the image of a paper crane-like white butterfly above the LP logo, and the other one reads "Not Alone"
in a red, white and blue font. Donations of $10 can be made by texting "MFR" to 85944.
After tweeting on Sunday morning, "Remember as you go about your day please #prayforjapan & if you are able, text REDCROSS to 90999 to donate $10 to Japan's emergency relief," Katy Perry followed up later in the day with the message, "Imagine ... if we ALL texted REDCROSS to 90999 we'd have raised over 60 million dollars for #JAPAN RELIEF! BE THE CHANGE YOU WANT TO SEE! BE!"
A growing collection of stars is urging fans to donate to Japanese earthquake relief. On Friday, Lady Gaga sprung into action and offered her fans a special wristband whose proceeds will go to help the victims.
"I Designed a Japan Prayer Bracelet. Buy It/ Donate here and ALL proceeds will go to Tsunami Relief Efforts. Go Monsters," Gaga wrote. She also urged fans to visit the Citizen Effect website, where contributions will be matched by Google CEO Eric Schmidt and his wife, Wendy. They've offered to match the first $100,000 donated to a special fund set up to help the Red Cross deliver emergency services to people in Japan.
Other celebrities urging action include Justin Bieber, Taylor Swift, Adam Lambert, Diddy and many more who've sent their prayers to those affected via Twitter. Britney Spears encouraged fans to donate to relief organizations, tweeting, "So tragic. My heart is breaking for Japan."
Also making pleas were Conan O'Brien, Chris Brown and George Takei, each asking their followers to donate to the Red Cross.
As the official death toll in the worst quake to hit the island nation mounted on Monday (March 14) to 1,833 — with thousands more believed to have perished — Japan was facing a growing threat from a number of hobbled nuclear power plants. A second explosion in two days occurred at the Fukushima Dai-ichi nuclear plant on Monday morning, just hours before the plant's #2 reactor lost its cooling abilities.
While no significant release of radioactive materials is believed to have occurred yet, the race to cool down and secure the nation's nuclear plants is as urgent as the search for survivors from the devastating natural disaster. New images and video continue to emerge that paint a partial picture of the destruction in towns such as the 20,000-resident Minami Sanriku, which CNN reported had been turned into a virtual pile of rubble by the quake and the ensuing tsunami.
As gas and food stocks run low, Japanese citizens have been asked to ration their supplies while the United States and 69 other nations have pledged to help with search and rescue efforts.
For more information on what you can do to help with earthquake and tsunami relief efforts in Japan, head to MTV Act, or text REDCROSS to 90999 to make a $10 donation.
Related Artists
Lady Gaga
Linkin Park
Lady Gaga
Photo: Ian Gavan/ Getty Images
As the situation in Japan continues to deteriorate in the wake of Friday's massive 8.9 magnitude earthquake, the need for assistance has spurred a number of stars to reach out to fans to enlist their help.
Just days after announcing the initial dates of his first tour, the My Violent Torpedo/ Defeat Is Not an Option Show, troubled actor Charlie Sheen announced that he will be donating $1 from each ticket sold to the Red Cross Japanese Earthquake Relief Fund.
Linkin Park's Mike Shinoda has also gotten into the game quickly, designing T-shirts to benefit his band's Music for Relief charity. One shirt features the image of a paper crane-like white butterfly above the LP logo, and the other one reads "Not Alone"
in a red, white and blue font. Donations of $10 can be made by texting "MFR" to 85944.
After tweeting on Sunday morning, "Remember as you go about your day please #prayforjapan & if you are able, text REDCROSS to 90999 to donate $10 to Japan's emergency relief," Katy Perry followed up later in the day with the message, "Imagine ... if we ALL texted REDCROSS to 90999 we'd have raised over 60 million dollars for #JAPAN RELIEF! BE THE CHANGE YOU WANT TO SEE! BE!"
A growing collection of stars is urging fans to donate to Japanese earthquake relief. On Friday, Lady Gaga sprung into action and offered her fans a special wristband whose proceeds will go to help the victims.
"I Designed a Japan Prayer Bracelet. Buy It/ Donate here and ALL proceeds will go to Tsunami Relief Efforts. Go Monsters," Gaga wrote. She also urged fans to visit the Citizen Effect website, where contributions will be matched by Google CEO Eric Schmidt and his wife, Wendy. They've offered to match the first $100,000 donated to a special fund set up to help the Red Cross deliver emergency services to people in Japan.
Other celebrities urging action include Justin Bieber, Taylor Swift, Adam Lambert, Diddy and many more who've sent their prayers to those affected via Twitter. Britney Spears encouraged fans to donate to relief organizations, tweeting, "So tragic. My heart is breaking for Japan."
Also making pleas were Conan O'Brien, Chris Brown and George Takei, each asking their followers to donate to the Red Cross.
As the official death toll in the worst quake to hit the island nation mounted on Monday (March 14) to 1,833 — with thousands more believed to have perished — Japan was facing a growing threat from a number of hobbled nuclear power plants. A second explosion in two days occurred at the Fukushima Dai-ichi nuclear plant on Monday morning, just hours before the plant's #2 reactor lost its cooling abilities.
While no significant release of radioactive materials is believed to have occurred yet, the race to cool down and secure the nation's nuclear plants is as urgent as the search for survivors from the devastating natural disaster. New images and video continue to emerge that paint a partial picture of the destruction in towns such as the 20,000-resident Minami Sanriku, which CNN reported had been turned into a virtual pile of rubble by the quake and the ensuing tsunami.
As gas and food stocks run low, Japanese citizens have been asked to ration their supplies while the United States and 69 other nations have pledged to help with search and rescue efforts.
For more information on what you can do to help with earthquake and tsunami relief efforts in Japan, head to MTV Act, or text REDCROSS to 90999 to make a $10 donation.
Related Artists
Lady Gaga
Linkin Park
Links for 2007-11-23 [del.icio.us]
Hayden Panettiere is GQ’s Obsession of the Year
Heroes star Hayden Panettiere has been named Obsession of the Year in a recent issue of GQ. The teen celebrity is photographed by Ellen Von Unwerth. She is adorable in the photos and actually now that she?s eighteen, it?s okay to look at her ?in tha
Heroes star Hayden Panettiere has been named Obsession of the Year in a recent issue of GQ. The teen celebrity is photographed by Ellen Von Unwerth. She is adorable in the photos and actually now that she?s eighteen, it?s okay to look at her ?in tha
Nadine Velazquez Naomi Watts Natalie Imbruglia Natalie Portman
Photos | Photos From Justin Bieber's Interview With Sway
Photos From Justin Bieber's Interview With Sway
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Tuesday, March 22, 2011
Madonna Celebrates Purim In Costume As Charlie Chaplin
Happy Purim, y’all!! It is that time of the year of the Jewish Festival of Purim (which is an annual celebration that honors the deliverance of the Jewish people by dressing up in costume) and today we learn that Madonna — or Esther, as she is known in Kabbalah — got herself all dolled up [...]
ENTER TO WIN: MockingJay Book PLUS iPod Touch
MOCKINGJAY by Suzanne Collins. Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she?s made it out of the bloody arena alive, she?s still not safe. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what?s worse, President Snow has made it clear that no one else is safe either. Not Katniss?s family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins?s groundbreaking The Hunger Games trilogy promises to be one of the most talked about books of the year. Suzanne Collins was also recently named to the 2010 TIME 100 list.
One (1) lucky INO reader will receive:
* A *Limited Edition* Engraved iPod Touch (with Mockingjay emblem)
* A copy of Mockingjay
How do I enter? You have a few options:
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Become a fan of I'm Not Obsessed's Facebook Page.Then leave a comment on the wall saying why you love MOCKINGJAY by Suzanne Collins.
One (1) lucky INO reader will receive:
* A *Limited Edition* Engraved iPod Touch (with Mockingjay emblem)
* A copy of Mockingjay
How do I enter? You have a few options:
Click here to leave your email address on my contest entry form.
Tweet this message: "Hope I win the MOCKINGJAY by Suzanne Collins giveaway from http://imnotobsessed.com @imnotobsessed. RT to Enter #ino"
Become a fan of I'm Not Obsessed's Facebook Page.Then leave a comment on the wall saying why you love MOCKINGJAY by Suzanne Collins.
Photos | Led Zeppelin Reunite At London Concert
Led Zeppelin Reunite At London Concert
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Robert Plant And Alison Krauss Win Grammy Album Of The Year
Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.By James Montgomery with MTV News staff
Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday
Photo: Kevin Winter/ Getty Images
"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."
He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.
You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.
Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.
And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.
And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.
To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.
One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.
"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."
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Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday
Photo: Kevin Winter/ Getty Images
"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."
He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.
You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.
Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.
And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.
And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.
To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.
One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.
"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."
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You would probably find it hard to start at all.While performers like Jay-Z and Alicia Keys continue to crank out tunes that celebrate destinations like New York, barely anyone seems to be writing great songs about travel any more.Once a life-changing event, leaving on a jet plane is now something everyone does, all the time. And it sucks. read more
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Ke$ha - Your Love Is My Drug
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Artist: Ke$ha
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Director: Honey
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Ne-Yo Defends Beyonce 'Dis' Statements
'I'm tired of being nice to dumb people. ... Bottom line, Beyonce is my friend,' 'Irreplaceable' songwriter tweets.By Jocelyn Vena
Ne-Yo
Photo: Mawuse Ziegbe/ MTV News
When a comment from Ne-Yo hit the Internet in which the songwriter said that he wished he could have kept the Beyoncé hit "Irreplaceable" for himself, some took it as a dis to the star.
"One song that I gave away and didn't want to, but it's actually a good thing that I did, is Beyonce's 'Irreplaceable'. I honestly wrote that song for myself, but that song taught me a very interesting lesson: Many women don't think that differently. ... However, a man singing it comes across a little bit misogynistic, a little bit mean," Ne-Yo, who wrote the song, said in an interview.
When it was implied on Twitter that Ne-Yo was dissing the Sasha Fierce star with his comments, the singer/songwriter defended himself. "Aiight my dude. Send me the link to where I said ANYTHING disrespectful about Beyonce, PLEASE! Dying to hear this," he wrote. "Just heard the audio where I supposedly dissed Beyonce. ARE Y'ALL SERIOUS!?! Did y'all even listen to what I said!?!"
Ne-Yo then continued to tweet his anger toward those who misunderstood what he said. "I said I originally wrote the song for me. That's true, so OF COURSE I didn't want to give it away originally. IT WAS FOR ME," he wrote. "Once I realized how the song comes across if sung by a guy, that's when I decided to give it away. HOW IS THAT DISSING BEYONCE!?! She took the song and made it a smash, NOBODY can deny that ...
"You know what? At first I was apologetic about what the hacker said, now that I've heard the audio myself, not so much," he continued. "Y'all should listen a lil' harder before you start dissin' people. Makes you look real dumb. I'm tired of being nice to dumb people. ... Bottom line, Beyonce is my friend. To HELL with anybody that ain't SMART enough to understand what I truly meant."
Do you think Ne-Yo was dissing Beyoncé with his comments? Tell us below.
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Ne-Yo
Photo: Mawuse Ziegbe/ MTV News
When a comment from Ne-Yo hit the Internet in which the songwriter said that he wished he could have kept the Beyoncé hit "Irreplaceable" for himself, some took it as a dis to the star.
"One song that I gave away and didn't want to, but it's actually a good thing that I did, is Beyonce's 'Irreplaceable'. I honestly wrote that song for myself, but that song taught me a very interesting lesson: Many women don't think that differently. ... However, a man singing it comes across a little bit misogynistic, a little bit mean," Ne-Yo, who wrote the song, said in an interview.
When it was implied on Twitter that Ne-Yo was dissing the Sasha Fierce star with his comments, the singer/songwriter defended himself. "Aiight my dude. Send me the link to where I said ANYTHING disrespectful about Beyonce, PLEASE! Dying to hear this," he wrote. "Just heard the audio where I supposedly dissed Beyonce. ARE Y'ALL SERIOUS!?! Did y'all even listen to what I said!?!"
Ne-Yo then continued to tweet his anger toward those who misunderstood what he said. "I said I originally wrote the song for me. That's true, so OF COURSE I didn't want to give it away originally. IT WAS FOR ME," he wrote. "Once I realized how the song comes across if sung by a guy, that's when I decided to give it away. HOW IS THAT DISSING BEYONCE!?! She took the song and made it a smash, NOBODY can deny that ...
"You know what? At first I was apologetic about what the hacker said, now that I've heard the audio myself, not so much," he continued. "Y'all should listen a lil' harder before you start dissin' people. Makes you look real dumb. I'm tired of being nice to dumb people. ... Bottom line, Beyonce is my friend. To HELL with anybody that ain't SMART enough to understand what I truly meant."
Do you think Ne-Yo was dissing Beyoncé with his comments? Tell us below.
Related Artists
Ne-Yo
Beyoncé
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